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Unread 12 May 2006, 06:59   #1
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Michael Mann's digital cameras

He's the director of Heat and Collateral, he used digital cameras for the latter. I thought that movie looked great, check out the cinematography on this one:

http://www.apple.com/trailers/univer...ler_large.html

I hope more of these directors swith to digital camera, it's surreal. I've watched this thing a bunch of times now. There's a great shot of some Lear jets on the end of this teaser:
http://www.apple.com/trailers/univer...ser_large.html
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Unread 13 May 2006, 02:39   #2
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Re: Michael Mann's digital cameras

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Originally Posted by Toccata & Fugue
Erm... right.
You don't like the digital camera work?
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Unread 13 May 2006, 02:59   #3
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Re: Michael Mann's digital cameras

I think it looks fantastic
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Unread 13 May 2006, 03:13   #4
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Re: Michael Mann's digital cameras

Yeah I'm not talking about 'miami vice' just the high definition camera.
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Unread 13 May 2006, 03:35   #5
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Re: Michael Mann's digital cameras

You can certainly see the difference in quality
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Unread 13 May 2006, 03:48   #6
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Re: Michael Mann's digital cameras

Quote:
Originally Posted by s|k
Yeah I'm not talking about 'miami vice' just the high definition camera.
I was talking about the camera as well, as dd said you can certainly tell the difference. Should enhance the experience of viewing films even more hopefully \o/
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Unread 13 May 2006, 13:01   #7
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Re: Michael Mann's digital cameras

Am I the only one who can't tell any difference?

It would help to have some reference material for comparison.

There is also probably a good reason they haven't switched. Aside from the fact that a lot of directors are probably more comfortable using a medium they have been using the last century or two. Generally speaking photographic film has an almost infinite resolution (in reality it is limited but it's small enough you could never tell). Just because something is digital don't assume it's better.
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Unread 13 May 2006, 14:39   #8
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Re: Michael Mann's digital cameras

But don't you have to transfer the digitally shot movie onto actual film anyway when it goes to cinemas?
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Unread 13 May 2006, 16:11   #9
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Re: Michael Mann's digital cameras

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Originally Posted by IncubusGod
But don't you have to transfer the digitally shot movie onto actual film anyway when it goes to cinemas?
word
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Unread 13 May 2006, 16:16   #10
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Re: Michael Mann's digital cameras

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Originally Posted by IncubusGod
But don't you have to transfer the digitally shot movie onto actual film anyway when it goes to cinemas?
Don't they have digital projectors in some cinemas?
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Unread 13 May 2006, 17:50   #11
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Re: Michael Mann's digital cameras

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Originally Posted by Dante Hicks
Don't they have digital projectors in some cinemas?
I'm sure they do in flashy upmarket ones in the US. Globally they don't make a dent.

Quote:
There were 849 d-cinema screens by year end 2005.
^--that's the latest figure I can find, from here.
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Unread 13 May 2006, 19:18   #12
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Re: Michael Mann's digital cameras

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Originally Posted by Toccata & Fugue
I do, but they both have their merits. Depends what you are trying to do. By necessaity both my films were filmed with a digital camera, although with rediulously low definition.

The prettiest films I have seen of late were Amelie and A Very Long Engagment, both by Jean Pierre Junet, but I am not sure if they were digital or not.

Digital is the future though obviously, but mainly because you can do a lot more for the same money.
Both his movies were shot in Super 35, one of many formats used in 35mm film. Which is ironic because it can lead to lesser video quality than anamorphic (usually shot on panavision cameras), but the addition of digital processing has reduced that problem (super 35 is not suitable for widescreen out of the box and needs to be resized and processed which is why it can result in less quality).


I still think people need to be cautious about throwing the digital tag around in context to film. It has an entirely different meaning to that of the IT world.


I do however agree digital is the way forward, but don't be fooled by the razzle dazzle of todays technology. I feel it'll be a good many years yet before digital technology has caught up with the standards of traditional cinematography.
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